We make tools we need but don't exist. Yet.
Session Notes for Pro Tools, Reimagined.
Write notes into markers or whole clips in a Pro Tools session, and collaborate with remote access to make project review smoother and faster.
Never Miss a Take
An AAX, VST3, and AU plugin that continuously records every moment. Select and export exactly what you need, with timeline-accurate metadata, from mono to 9.1.6 immersive.
Sound and Foley Replacer for making short work of long Pro Tools projects
Replace audio clips in large Pro Tools sessions in a fraction of the time. Swap out or layer up Foley - from footsteps to gunshots - or build your own custom profiles for any replacement job.
Your solution for dialogue fills, matching room tone and creating soundscapes
Undertone 2 takes the fuss out of creating effective dialogue fills. Import your audio - ambience or a whole take of original dialogue - and the plugin will resynthesise it into a consistent bed of ambient sound. You can also take things further, generating complex soundscapes using multiple samples and probability weightings.
The fastest and best way to get professional audio out of Pro Tools
DragOut makes it quick and simple to export an audio file or an edit selection. Just click and drag from the big blue arrow to move your files to... anywhere that will take them!
Create dialogue fills easily using a blend of granular and convolution methods
Undertone Lite gives you a quick and easy way to create dialogue fills from samples or existing audio. With easy integration (VST/AU/AAX/AudioSuite) and two resynthesis methods.
Trusted by Professionals
Undertone is my favourite tool for creating dialogue fills. It sounds more natural than anything else I have tried.
Dustin Harris
Supervising sound editor (The Handmaids Tale, The Expanse, Locke and Key)
Undertone has become an invaluable tool in my effects editorial and design arsenal. In many instances, I am able to take a handful of seemingly ordinary sounds and create unique beds with extraordinary movement, characteristics, and, at times, emotion.
Andrew Twite
Sound designer (Everything Everywhere All at Once, Star Trek: Discovery)
Undertone is now an essential in my dialogue-editing toolbox - for creating a clean fill, a fill with movement in it, for continuing big noises such as planes or car noise which is often hard to fill, for elongating screams - you name it. And it is a must-have for creating DX sessions for M and E too. Strongly recommended!
Michael Maroussas
Supervising dialogue editor (Chernobyl, Black Mirror, Darkest Hour)
The grown up kids at Audiokids have enclosed two of my desert island DSP tools - granulation and convolution - in a unique and friendly device. Once you have started using Undertone, it is addictive - primarily for the tiny but important tasks such as creating air fills for dialogue tracks.
Matteo Milani
Sound Designer and Founder, Unidentified Sound Object
Drag Out 2 is a genuinely helpful piece of software that should not be underestimated. I use it frequently in my work.
Robin Green
Sound Editor (Orbital, Feardotcom)
Dragout 2 has become one of my must-have plugins. It is a fast and effortless way to mix down multiple audio clips without the need for bouncing.
Tony Gibson
Sound Editor (SAS: Rogue Heroes, Extraordinary, Patrick Melrose, Misfits)
Synchronicity has been a huge time-saver - it has streamlined my workflow and really pushed me towards more creative experimentation. I am cutting in more layers and trying things out more than I used to.
Enos Desjardins
Sound Editor (Mission: Impossible - The Final Reckoning, Black Mirror, Lockwood and Co.)
This will save time when building complicated SFX stacks and is essential for syncing multiple elements.
Jason Brennan
Sound Editor (The Contract, Faster, Harsh Times)
Synchronicity was helpful with designing and cutting UI, telemetry, and tech in Alien: Earth. It made syncing multiple layers fast and intuitive.
Justin Davey
Sound Editor (A Quiet Place, Spider-Man: No Way Home)
This thing is going to be vaulted into the high realm of, I keep these AudioSuite plugins open at all times on my second monitor.