Now available: Dragout 2, the fastest way to get audio out of Pro Tools

Undertone 2

Your solution for dialogue fills,
matching room tone and creating soundscapes

Undertone 2 takes the fuss out of creating effective dialogue fills. Import your audio – ambience or a whole take of original dialogue – and the plugin will resynthesise it into a consistent bed of ambient sound. You can also take things further, generating complex soundscapes using multiple samples and probability weightings.

The fastest and best way to get
professional audio out of Pro Tools

Dragout makes it quick and simple to export an audio file or an edit selection. Just click and drag from the big blue arrow to move your files to… anywhere that will take them!

LOGO_undertOne_lite

Create dialogue fills easily using a blend
of granular and convolution methods

Undertone Lite gives you a quick and easy way to create dialogue fills from samples or existing audio. With easy integration (VST/AU/AAX/AudioSuite) and two resynthesis methods.

Testimonials

“Undertone is my favourite tool for creating dialogue fills. It sounds more natural than anything else I’ve tried.”

Dustin Harris, Supervising sound editor (The Handmaid’s Tale, The Expanse, Locke & Key)

“Undertone has become an invaluable tool in my effects editorial and design arsenal. In many instances, I am able to take a handful of seemingly ordinary sounds and create unique beds with extraordinary movement, characteristics, and, at times, emotion.”

Andrew Twite, Sound designer (Everything Everywhere All at Once, Star Trek: Discovery)

“Undertone is now an essential in my dialogue-editing toolbox – for creating a clean fill, a fill with movement in it, for continuing big noises such as planes or car noise which is often hard to fill, for elongating screams…you name it. And it’s a must-have for creating DX sessions for M&E too. Strongly recommended!”

Michael Maroussas, Supervising dialogue editor (Chernobyl, Black Mirror, Darkest Hour)

“The grown up kids at Audiokids have enclosed two of my desert island DSP tools – granulation and convolution – in a unique and friendly device. Once you’ve started using Undertone, it’s addictive… primarily for the tiny but important tasks such as creating air fills for dialogue tracks. Watch out though: it’s a powerful instrument to create complex soundscapes and atmospheres in an intuitive, simple interface. Kudos to Davide, Fabrizio and Mattia!”

Matteo Milani, Sound Designer and Founder, Unidentified Sound Object